My Musical Dialogues With ChatGPT - Part 1 "Field Recording"
As more and more people have been talking about this ChatGPT thing recently, and even musicians and friends (and some of our members) have caught the fever, I have decided to have a detailed look at this thing. I was – and still are – rather skeptical and there are more than only a few aspects which make me even suspicious and alert. But as ignoring is a strategy of rather limited advantages I got the idea of testing ChatGPT by leading dialogues about matters I know a lot about – music and sound.
I´m going to publish these dialogues here at irregular intervals.
The Cradles of Electronic Music – Part 5
I ended up with the question “Isn´t a spectrum the same as (layered) chords, at least when working only with sine waves? “
Well, let´s have a look how the pioneers of electronic music in the 1950s tried to deal with questions like that, now, that they were confronted with completely new kinds of sounds in music.
One of the most systematically proceeding composers of that time is Herbert Eimert. He divided all (electronic) sounds in the following categories:
tone
sound
tone mixture
noise
How the sound of “Ered Nimrais” is made
First of all, what is Ered Nimrais? Well, it´s a fictive moutain massive mentioned in Tolkien´s trilogy “Lord of the Rings”.
Let me quote the booklet of my last sample library:
“In the south of Middle-Earth there are the mountains of Ered Nimrais, also called the White Mountains. Here we find Helm´s Deep, the Glittering Caves of Aglarond, the Path of the Dead, and at the foot of the mountains the realm of Rohan. From Gondor to Rohan along the peaks of the Mountains men have installed the signal fires to call for help.”
New Concepts for Music And Sound – Part 3
It all seems like a labyrinth of questions and half-baked ideas, or the scintillation of a misled mind. So let me try to find the beginning of some threads, take them up and find my way through this maze like Theseus used Ariadne´s clew of yarn to find his way out of the Minotaur´s home.
New Concepts for Music And Sound – Part 2
I admit: part 1 was rather evil and vicious than constructive. Well, waking up isn´t always a nice thing. Anyway.
Where might we start thinking about new music, about new sound – and what´s even deeper – about new concepts for both?
Mystery Series Volume I
Close Encounters of a Special Kind – Part 13
Why I´m happy about old inedible yoghurt
or
What do yoghurt and Tolkien´s evil wizard Saruman have in common?
The Cradles of Electronic Music – Part 4
“The frequency of silence is 16 Hz” or “How a mayfly taught me the sound of life”
Let´s do a thought experiment to tune ourselves in and experience a bit of the spirit of these early days of electronic music.
New Concepts for Music And Sound – Part 1
To make in clear right at the beginning: this series of articles is not about having fun with or through music – not at all!
And let me begin in a rather vicious – and deliberately unfair – manner.
The Cradles of Electronic Music - Part 3
Producing a Piece of Early Electronic Music like in the 1950s
The following steps of the project are all done with the software “Berna 3”. The project itself is part of my new E-book about new and old approaches to producing electronic music. The book will be published in February 2023 (probably). This is quite long article. If you are kind of impatient, well, then you might like to watch the video first. The link to it is at the end of this article.